All posts in “Design/Style”

Bugatti reveals track-only Bolide’s purpose-designed interior

Bugatti has done a good job of documenting the Bolide’s transition from a wild-looking concept car to a limited-edition production model, but we’ve been missing one key piece of the puzzle: the interior. The wait is over, and the brand revealed what the hypercar looks like inside.

Every part of the cabin was developed specifically for the Bolide, so the overall layout looks nothing the Chiron’s. Bugatti built the model around a new carbon fiber monocoque, and starting from scratch allowed it to set a new seating position described as race car-like. Fittingly, the Bolide is being developed exclusively for track use. The brand paid special attention to the steering wheel, which features an X-shaped design that echoes the shape of the rear lights. It’s easily removable, and Bugatti notes it can serve as decoration when not in use.

The driver sits on a seat that’s layered directly onto the monocoque, meaning the Bolide is the first Bugatti model built with fixed seats. This solution saves weight because it doesn’t require seat rails, and as a trade-off the driver can adjust the steering column and the pedals to find a comfortable seating position. Buyers will have four seat packages to choose from, including one tailored to their exact dimensions. And, like every Bugatti model, the Bolide will be highly customizable: leather, Alcantara and suede are among the types of upholstery offered.

Bugatti notes that its test drivers played a significant role in shaping the Bolide’s interior. The brand put eight commonly-used buttons on the steering wheel, and it developed a digital instrument cluster with two built-in modes. The first mode displays the kind of advanced data that a test driver would want, while the second focuses on the essentials. There’s no touchscreen because there’s no infotainment system, but the slanted center console features a handful of buttons as well as four cool-looking climate control system vents shaped like exhaust outlets.

Power for the Bolide comes from an evolution of Bugatti’s familiar 8.0-liter W16 engine. In this application, it’s quad-turbocharged to develop 1,578 horsepower; that’s a lot even without context, but it becomes even more impressive when you factor in the car’s 3,196-pound weight.

Bugatti Bolide production is scheduled to start in 2024 and pricing starts at approximately €4 million excluding taxes, which represents around $4.36 million at the current conversion rate. Production is limited to 40 units globally, and the model has been sold out since 2021.

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Ruf reveals air-cooled Tribute, open-top R Spyder and CTR3 Evo at The Quail

Ruf is revealing three Porsche builds at The Quail, A Motorsports Gathering this week in the Monterey Peninsula. Two are totally new builds called the Ruf Tribute and the Ruf R Spyder. The third is an update to the Ruf CTR3 Clubsport, which gains the new name of CTR3 Evo.

Starting with the Tribute (seen in the gallery at the top of this post), this Ruf is powered by a 3.6-liter air-cooled engine designed by Alois Ruf that is meant to be an homage to the air-cooled 911s of the past. However, this new engine features loads of new tech such as a four-cam three-valve design, variable valve timing and lift and dry-sump lubrication. It makes loads more power than naturally aspirated air-cooled engines ever did from Porsche, as Ruf claims a heady 550 horses. Ruf says its drivetrain is similar to that of the SCR and Yellow Bird Anniversary it unveiled a few years ago. Carbon fiber is used liberally throughout (not to mention the carbon tub chassis), and it features an integrated roll cage, as well.

The other new Ruf is the R Spyder, which might remind you of the also-open-top Bergmeister from last year’s Monterey Car Week. Of course, the R Spyder is better and more powerful than what Ruf managed to screw together before. This open-top Ruf is powered by a 4.0-liter naturally aspirated flat-six that cranks out 515 horsepower and 350 pound-feet of torque. That power is sent to the rear wheels via a six-speed manual gearbox.

Each occupant has their own little cocoon, separated by a carbon fiber bar. You get a small windshield, and screens are mounted on either side of the carbon fiber dashboard. Ruf says the car uses a McPherson strut front suspension and multi-link rear design. All that said, Ruf is still calling this car a “design concept,” so we’re not sure if it will be produced and sold yet.

The last Ruf is the CTR3 Evo, and Ruf says it’s the most powerful vehicle it’s ever produced. Output from the 3.8-liter (water-cooled) twin-turbo flat-six is an astounding 800 horsepower and 730 pound-feet of torque. This is paired with a seven-speed dual-clutch transmission, and all that speed is hauled in by carbon ceramic brakes. A top speed of 236 mph and the carbon-composite body just make it all the more alluring.

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Pininfarina Battista Edizione Nino Farina honors the first F1 champion

Design house-turned-carmaker Pininfarina took a trip to the heritage well to create its latest limited-edition model. Named after Giuseppe Farina, the first Formula One champion, the Battista Edizione Nino Farina stands out with several edition-specific styling cues inside and out.

Giuseppe “Nino” Farina’s ties to the Italian automotive industry aren’t limited to winning the first Formula One Driver’s Championship in 1950. He’s also the nephew of Battista “Pinin” Farina, who founded the design house that bears his name. Pininfarina honored the driver by giving the Battista edition-specific Rosso Nino paint with contrasting Bianco Sestriere and Iconica Blu accents, wheels finished in Glorioso Gold, and “01” graphics on both sides. The Furiosa Pack, which adds carbon fiber exterior trim pieces, comes standard.

The interior is characterized by a two-tone design. The driver’s seat is upholstered in black leather and has the “01” logo embroidered into the headrest. The passenger’s seat gets beige leather and the Pininfarina logo embroidered into the headrest. Production is limited to five examples, and each one will receive a specific aluminum door sill plate engraved with a date that commemorates Farina’s life and career; 1906 celebrates the year he was born, for example, and 1950 corresponds to the year he won the Formula One Driver’s Championship.

Mechanically, the Edizione Nino Farina is identical to the regular Battista, and that’s not necessarily a bad thing; few could argue that it needs a higher output. Power comes from four electric motors (one per wheel) that jointly develop 1,900 horsepower and 1,726 pound-feet of torque. The company quotes a zero-to-62-mph time of 1.86 seconds, a top speed of 217 mph, and up to 300 miles of driving range.

Pininfarina will present the Battista Edizione Nino Farina at the 2023 Goodwood Festival of Speed that opens in England on July 13. Pricing information hasn’t been announced, but keep in mind that the standard Battista (which is limited to 150 units) starts at about $2.2 million.

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Eccentrica Cars unveils Lamborghini Diablo restomod

San Marino-based Eccentrica Cars is bringing the Lamborghini Diablo, one of the most emblematic supercars of the 1990s, into the 21st century. The startup unveiled a limited-edition restomodded Diablo with a more modern design inside and out and a more powerful V12.

Eccentrica enlisted the help of several well-known suppliers to complete its first project. BorromeodeSilva, a design studio based in Milan, updated the Diablo’s lines by taking inspiration from the GTR model. The only exterior panel left untouched is the windshield; everything else has been updated, including the bumpers, the hood and the side skirts. Designers fitted a muscular-looking body kit, new-look headlights hidden behind retractable covers, and hexagon-shaped intakes that channel air to the radiators. The engine cover was redesigned as well.

What you see isn’t necessarily what you’ll get if you’re one of the lucky customers whose name appears on the waiting list. For example, the “remove before flight”-branded engine covers are temporary. They’ll be replaced by a pair of “mobile components” on the production car. 

The interior gets a similar treatment: it stays true to the original car’s spirit and layout while incorporating modern styling cues and materials. Eccentrica describes it as “a meeting point between the minimalism of the early 1990s and the state-of-the-art mechanics typical of luxury watchmaking.” It adds that one of the project’s goal was to replace many of the plastic parts found in the original Diablo.

Step in through the scissor doors — getting rid of such an emblematic styling cue was out of the question — and you’ll find a pair of Alcantara-upholstered seats, a reinterpretation of the regular Diablo’s steering wheel and a digital instrument cluster with a throwback look. Square buttons occupy most of the space on the center stack, while the center console features toggle switches and a gated shifter.

Fully street-legal, Eccentrica’s Diablo is powered by an evolution of the standard car’s 5.7-liter V12 that develops 550 horsepower at 7,000 rpm and 442 pound-feet of torque at 6,500 rpm thanks in part to valvetrain modifications. In comparison, the Diablo launched in 1990 with a 5.7-liter V12 rated at about 492 horsepower and 426 pound-feet of torque. The engine exhales through a Capristo exhaust system, and it spins the rear wheels via a six-speed manual transmission. We haven’t heard the V12 fire up yet, but we’re betting it sounds amazing.

The firm quotes a 0-62-mph time of 3.5 seconds and a top speed of 208 mph, and it adds that the use of titanium and carbon fiber parts lowers the coupe’s weight, though the final figure hasn’t been released. More power and less weight is a combination that requires bigger brakes, so the updated Diablo gets a Brembo-designed braking system with six-piston front calipers that grip huge slotted rotors. Eccentrica hasn’t said much about the suspension system, but it widened the track and made the chassis stiffer to improve handling.

Eccentrica will build 19 units of its modern-day Diablo, and buyers will be able to personalize the paint, the upholstery and the trim material, among other features. The brand wants to ensure that no two examples are exactly alike. Pricing starts at €1.2 million (about $1.3 million at the current conversion rate) excluding any and all options and the cost of the donor car, and production takes between 16 and 18 months.

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Atelier Jalaper’s new watch made from Lamborghini Miura bulkhead

Last August, French watchmaker Atelier Jalaper announced itself with an automatic timepiece whose dial was cut from the hood of an Aston Martin DB5. The next collection is ready, this one with an Italian flavor. After another lengthy search, the company located a burned-out Lamborghini Miura P400S in Avignon, France. We’re told a section of the aluminum bulkhead between the engine and the trunk escaped the fire, and with this, Atelier Jalaper created the AJ-P400.

Instead of the Miyota automatic movement used in the DB5’s AJ-001 and AJ-002 watches, the AJ-P400 is based around a Sellita SW200-1 manual caliber. Anyone without a watch winder will need to restore the power reserve after about 45 hours. The oval-shaped 39.5-millimeter satin-finished steel case shows off the first Miura connection: An oval outer bezel surrounding a circular dial, recalling the oval “eyelash” treatment around the Miura headlights. The chapter ring around the bezel comes in four colorways close to original Miura hues of Azzuro Cielo (blue), Verde Miura (green), Arancio Miura (orange) and Nero Cangiante (black). The Miura wreck provides the aluminum dial, its face textured and anodized matte black. The lengthy hash marks and somewhat crowded numbers are inspired by the Miura’s speedometer. At bottom, instead of a Lamborghini logo and unit indicator, the watch shows the power reserve meter. And the band makes a callback to Miura seats.

Last year’s Aston Martin watch was produced in a run of 1,200, costing from €800 ($852 U.S.) to €1,150 ($1,225 U.S.). The Miura timepiece will be more rare and more dear, coming in a run of 400 examples, each costing $2,000. Orders are open now, the first samples to be delivered in July.

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Lamborghini’s upcoming V12 hybrid leaked in patent images

Varryx and Wilco Block are two Euro-based car enthusiasts we’ve come to know mostly for their ability to get spy video and images of coming treats. They’ve both done it again, both on Instagram, and both with the same car, publishing a series of design patent drawings. Lamborghini Automobili SpA submitted figures of its hybrid V12 successor to the Aventador to the North Macedonian bureau of the World Intellectual Property Office, perhaps hoping the out-of-the-way geographic location would translate to an out-of-the-way digital sequestration before the reveal this spring. But the Internet hates keeping secrets, so here we are. What we’re privy to are every major angle of a coupe that looks like it has the design of the Aventador as its foundation, bookended by fascias from a couple of Aventador-based specials. Varryx provided the colors for the image above. 

Lamborghini said design of the Sián FKP 37 “is just for the Sián.” Fundamentally, perhaps, yes. But in the patent images, the tall, horizontal-y-shaped lighting DRL that welcomes the sharp, pincer-like curve of the front fenders, and the lower intake outlines make clear connection to the Sián. The Huracán Tecnica is the bridge, the V10-powered coupe adopting another take on the Sian’s style. The vertical spat behind the front wheels could also trace its lineage from the limited edition super sports car. The rest of the middle is all Aventador, a swelling body and large side intakes embracing the low cabin and naturally aspirated V12. In back, it’s the Centennario, a special edition introduced at the 2016 Geneva Motor Show. The six long strakes on the immense diffuser mimic the number on the Centennario, the difference being the coming production car moves its exhaust up high, where two Centennario taillights flank with two large hexagonal ports instead of the show car’s three small tips down low.

That engine will be an all-new V12 unit in a new drivetrain, we’ve been told, aided by a small battery and some supercapacitor tech that’s another nod to the Sián. Total output’s a mystery, but the Aventador Ultimae clocked 769 horses, the Countach 800 horses, and those not only didn’t have hybrid help, they were lighter. Fear not about the weight, automaker CEO Stephan Winkelmann says drivers won’t feel the additional weight. We wouldn’t be surprised to hear a number higher than 800. The transmission adds a clutch to the Aventador’s one, sending power through a dual-clutch system that will eliminate the Aventador’s characteristic tidal motion especially at low speeds. Preliminary performance specs outed by the chief estimate a 0-62 time under 2.9 seconds and a top speed beyond 218 mph.

The interior will carry on with a digital gauge cluster and add another screen to the center console. A City driving mode will activate pure-electric driving.

Expect a debut in March. Lamborghini says there are already 3,000 buyers in line, so set your sights on the second model year.

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Ferrari SP51 is a V12 roadster with gorgeous paint based on the 812 GTS Spider

Ferrari says it spends an average of two years on its one-off Special Project cars such as the SP48 Unica from earlier this year, which was based on the F8 Tributo. Here’s another before the year is out, the SP51 that rides on the bones of the 812 GTS convertible. A Taiwan-based client and collector had the idea and the funds to make it happen, working with the Ferrari Styling Center on a highly advanced and proper roofless roadster that nods to historical Ferrari roadsters as well. A reshaped front fascia houses a black, carbon fiber insert below smaller headlights. Another large section of exposed carbon fiber piece below the windshield reaches forward to the hood vents, framing the center of the hood. Along the flanks, the 812’s upswept sculpting is redirected, scalloped sides rising gently to the middle of the door then descending toward the rear wheels. Above that, a pair of flying-buttress-like cowls help shape the dark lines of rear intakes behind the cabin. A carbon fiber wing runs across the car above the cowls, concealing the roll hoops.

A custom set of rims are set off by carbon fiber wing profiles in the front fenders. In back, the quad taillights peek out from below the decklid spoiler and above the deep, layered diffuser. Ferrari said it took a heap of “CFD simulations, wind tunnel and dynamic testing” in order to imbue the “ultimate in comfort in the cabin, but also the same standard of acoustic comfort and wind feel as the car that inspired it.”

That color seen outside and in is Rosso Passionale, a custom hue applied in three layers. The blue and white stripes running over the body and through the cabin pay tribute to the blue and white livery inspired by a 1955 Ferrari 410 S, an early race car powered by a 5.0-liter V12. A 410 S with chassis number 0592CM shows off that paint scheme, the roadster driven by Carroll Shelby to wins in Palm Springs the year it was delivered to owner Tony Parravano.

The cabin continues the blue and red theme, with Rosso Passionale offset by blue striping and white cross stitching on the instrument panel lower, seats, center tunnel, and doors. It can’t be bought so the price doesn’t matter, making the only real question: Would you have this, or the Ferrari Special Projects roadster from 2014, the F12 TRS

Aston Martin Valhalla interior debuted in Monterey

Aston Martin began releasing estimated specs for the Valhalla supercar last summer. The figures described the thoroughly overhauled car, redrawn with just as dramatic yet smoother lines than the original concept from 2019, and repowered with a plug-in hybrid V8 sourced from technical partner Mercedes-Benz instead of the in-house straight-6. The quick summary describes a mid-mounted 740-horsepower flat-plane-crank V8 with an e-motor in back and another in front contributing 201 horsepower. The front electric motor can pull the coupe for up to eight miles of pure electric running, reversing is also done under electric power, not via the eight-speed dual-clutch transmission. Curb weight of 3,417 pounds pairs with a top speed of 217 miles per hour, the firm hoping its charge can lap the ‘Ring in 6:30, which would be a record for a production car. Deliveries are expected to commence toward the end of next year.

We still hadn’t seen the inside of the car last summer, though. Aston Martin finally lifted the dihedral doors on the show inside during the recent Monterey Car Week. Chief Creative Officer Marek Reichman described the cockpit as being “pure,” “about driver focus” and “concentration,” and “dedicated to the mastery of driving.” So despite an exterior update that injected “a more mature” road-going road ambience into the Valhalla’s silhouette, the cabin makes strong ties to the F1-inspired and track-consuming Valkyrie. These are seats that emphasize the “bucket” in “bucket seats,” supporting driver and passenger such that their heels lie above the level of their hips. The driver grabs a square wheel that’s jettisoned the central display in the Valkyrie’s square wheel. In fact, for those decrying the explosion of screens lately, here is your safe space. A slim rectangle ahead of the driver serves as dash display, and the infotainment screen can be hidden away, which it is in the short Twitter vid. We can see it staying stowed more often than not, in fact. Even if the V8 doesn’t pour its 7,200-rpm flat-plane note into the cabin — along with roof scoop inhalations and rubber-band-thin Michelin thrumming — the passenger quarters cannot be the kindest space to design a stereo for.

We’d been wondering about the production run, Autocar suspects Aston Martin won’t make more than 1,000 examples of the Valhalla. The potential good news for the few who’ll get to own it is that the carmaker might have reduced the price; Autocar heard that instead of costing somewhere around £1 million ($1.3M U.S.), MSRP could fall somewhere between £600,000 ($725,866 U.S.) and £700,000 ($846,844 U.S.).

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Bugatti plots PHEV Chiron successor with more athletic proportions

Bugatti is ready to close the W16 chapter of its history; the Mistral roadster it unveiled in August 2022 is the final street-legal car powered by the quad-turbocharged engine. What’s next remains shrouded in secrecy, but the French firm gave Autoblog a few hints of what to expect.

First, let’s dispel a myth: The Chiron’s successor will not be electric. Achim Anscheidt, Bugatti’s design director, confirmed that the model — whose name hasn’t been announced yet — will be powered by a plug-in hybrid powertrain. Rimac has previously described the drivetrain as “heavily electrified,” but precise technical details such as horsepower and layout haven’t been made public. All we know for sure at this stage is that the W16 won’t return and that many key components under the body (including the monocoque and the subframes) will be new.

In terms of design, it sounds like Anscheidt instructed his team to balance evolutionary and revolutionary approaches.

“[The car] will certainly be tailored to one or the other aspect of a hybrid. We see the potential to improve the overall automotive gesture of the car,” he said.

Dialing in new proportions is something his team wasn’t able to do when it designed the Chiron, because parts like the monocoque and the doors were carried over from the Veyron. Beyond the overall shape, Anscheidt noted he’d like to see Bugatti’s design language get leaner and more athletic, but there’s a limit to this stretch. Regardless of what the Chiron’s successor looks like, it needs to stay true to the ambivalent character of “the automotive Beauty and Beast” and be instantly recognizable as a Bugatti

“In comparison to other hyper-sports cars, Bugatti always created its own sovereign segment. It was always slightly different, never trying to be a race car for the road. It is the ultimate GT. That should not change from one day to the other. We don’t want to become somebody else, but we’re opening a new tech chapter which is a challenge as well as an opportunity,” he clarified.

The cabin will evolve as well, but it won’t necessarily follow the industry’s ongoing shift toward wall-to-wall screens.

“When you look at today’s cars, it becomes very apparent that there are screens everywhere. Where is this leading us? Yes, I think that customers deserve to have full entertainment in their daily driver. This is the [interior design trend] of the automotive industry, and we don’t want to question that. However, I wonder: who still has an iPhone 3? Nobody, and you probably don’t want to have one anymore. It likely doesn’t work. What happens to those cars when they are 20 or 30 years old? Do those screens still work? Did one do all of the updates?”

Anscheidt and his team actively debate what this means for Bugatti and its customers as they shape the Chiron’s successor. Not all companies worry about whether the technology they put in their cars will work in two or more decades, but Bugatti is in a unique position: its cars are instant collectibles. They’re rolling works of art created to be enjoyed and admired by enthusiasts who aren’t born yet.

“Bugatti models need to sit on the lawn at Pebble Beach in 50 years and work. Just like we see pre-war luxury automobiles that still work. What a disaster it would be if a Bugatti would sit there and there are only black screens [inside].” We’ll need to be patient to find out the solution that Anscheidt comes up with. “We’re carefully thinking about this. I’m not saying that we have the ultimate answer, but I’m saying there is something that makes precious cars and precious brands worth thinking about for the sake of future generations,” he summed up.

1,600-hp Bugatti Mistral roadster marks the end of the line for the W16 engine

Bugatti’s mighty W16 engine will retire in the coming years, but it’s not sailing off into the sunset quietly. It will power one final street-legal car: a roadster named Mistral that stands proud as the first convertible of the Chiron era. Built due to customer demand, the Bugatti Mistral is a striking, limited-edition model that looks ready to add another speed record to the French firm’s trophy case. I sat down with some of the people who created it, including Bugatti design director Achim Anscheidt and head of design Frank Heyl, to get the droptop’s full story.

“For the final road-going appearance of Bugatti’s legendary W16 engine, we knew we had to create a roadster. Well over 40% of all Bugatti vehicles ever created have been open-top in design,” said Bugatti-Rimac CEO Mate Rimac. Heyl added that customers “begged” Bugatti to create a Chiron-derived convertible, and that granting them this wish was a “bucket-list” item for the members of his team.

Power for the Mistral comes from the same 8.0-liter, quad-turbocharged 16-cylinder engine that propelled the Chiron Super Sport 300+ to a record-breaking 304.773 mph in 2019. It’s rated at 1,600 horsepower, and it spins the four wheels via a seven-speed dual-clutch automatic transmission. Bugatti estimates that the Mistral’s top speed will check in at approximately 261 mph (420 kph). Will this number get verified? Hell, yes! “There can only be one goal in mind: to become the fastest roadster in the world once more,” Bugatti pledged in a statement.

While the Mistral is Chiron-based, Bugatti made several important structural changes to offset the inevitable loss of structural rigidity caused by chopping off the roof. Heyl explained that the monocoque’s sills and transmission tunnel were reinforced and that the a- and b-pillar structures are new, though the front crash structure is the same. And, the two models intentionally share no exterior styling cues.

“We had the pressure of creating something that is precious and valuable in a car collector’s garage. It’s not just a fashion statement: ‘Oh, let’s do a roadster!’ Or, even worse, ‘Let’s take a Chiron and just cut it open,’ which would have looked terrible. This burdens us with the responsibility that this is the last of its kind of that generation and how that’s going to sit in those collections,” Anscheidt told Autoblog.

Up front, the Mistral wears a redesigned rendition of Bugatti’s horseshoe grille and headlights with four LED strips (a configuration chosen as a tribute to the four-wheel-drive system and the four turbochargers) while the X-shaped lights characterize the rear end. There’s a lot more to the design than initially meets the eye, however. Heyl explained that his team added air curtains behind the headlights, for example. And, they separated the intakes that feed air into the engine from those that feed air into the oil coolers to avoid making the Mistral too wide. The former are now right above the front passengers, while the latter remain on the quarter panels. This setup brings a few unexpected benefits.

“The driver hears the air intake system and the turbo blow-off valves, and it’s very nice stylistically; it reminds us of the Vitesse,” Heyl said.

Interior designers kept the Chiron’s basic layout with a handful of exceptions such as new, more ergonomic seats. Check out the gear selector, too: It’s made of wood and features an amber insert with a replica of Rembrandt Bugatti’s “dancing elephant” sculpture. Bugatti told me this part is “just a proposal for the show car,” though it added that it will find a way to bring it to production if customers request it.

What if it rains? Act fast; The Mistral will come with what Anscheidt described as an “emergency roof” but it will not feature a fixed top.

Bugatti will cap Mistral production at 99 units, though it will build an additional car for testing purposes. Pricing is set at €5 million before taxes and options are factored in (about $5 million at the current conversion rate) and the entire production run is already spoken for. And, while many hypercars are only street-legal via loopholes, Bugatti went to significant lengths to fully homologate the Mistral around the world.

Is the Mistral the end of the W16? Sort of. It’s the last W16-powered street-legal car, Anscheidt explained that ever-stricter regulations are escorting the big engine off the stage, but the engine will also power the limited-edition Bolide that was developed exclusively for track use.

“To be honest, I can do all of the design talking that I want, but if we didn’t have the W16 engine [these cars] would not be worth half the money,” Anscheidt said. “The W16 is the ultimate [unique selling proposition] for the modern-day Bugatti brand, from 2005 to today. It means something to us. [The Mistral] is a tribute to this engine, and now we go on to the next generation and think about something else,” 

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Aston Martin DBR22 is a retro roadster for the lucky few

It’s Pebble Beach Concours week, and you know what that means: high-end automakers showing new exotic machinery. Kicking things off is the Aston Martin DBR22. Aston calls it a concept, but that’s more of a stretch than Honda with its “prototype” car reveals. The company has said it will build some. The exact number hasn’t been given, but don’t expect many. The company highlighted a couple of its previous special models such as the Vulcan and V600, each of which were made in numbers below 30 units.

The car is more specifically from Aston’s “bespoke” division, Q, and it’s a celebration of the division’s tenth anniversary. It takes its design inspiration from far longer ago, though. The DBR22’s dramatic curves, lack of a windshield and towering cowls are all based on the company’s 1950s race cars, particularly the DB3S and DBR1 (which already inspired another low-production Aston). The grille is even based on the latter’s. The entire exterior is unique to the DBR22, down to the headlights and full-width tail light bar. It’s all made of carbon fiber, too. The interior is also unique with leather wrapping most surfaces including the carbon seats. And being a product of the Q division, the handful of buyers will be able to customize pretty much every facet of the exterior and interior to their preferences.

No matter how an individual’s DBR22 looks, they should be the same under the skin. Aston’s twin-turbo 5.2-liter V8 sits below the vented hood and makes 705 horsepower and 555 pound-feet of torque. It sends power through an eight-speed automatic transmission to the rear wheels. Top speed is 198 mph, and it will hit 60 mph in 3.4 seconds. No mention was made of what platform the DBR22 is built on, but it likely shares similarities with the DB11 and DBS. It boasts upgrades, though, such as shear panels front and rear for greater rigidity, plus unique tuning for the adaptive shocks. Most interesting is the rear subframe. It’s made of multiple 3D-printed aluminum parts that have been bonded together. It’s a preview of future Aston Martin production techniques and the company says it has allowed them to make a lighter subframe than normal with the same rigidity. It also lets the company more easily produce custom parts for low-production models.

Aston Martin made no mention of when it will start building customer DBR22 models or when it will take orders. We wouldn’t be surprised if the company has already lined up buyers. And if not, well, potential buyers surely know whom to contact. For everyone else, the DBR22 will be on display at the Pebble Beach Concours d’Elegance this weekend.

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Ferrari SF48 Unica one-off is based on the F8 Tributo

Ferrari has unveiled the SF48 Unica, the latest addition to its portfolio of customer-commissioned one-off models. Based on the F8 Tributo, the coupe was created by the Ferrari Styling Center for an anonymous client who participated in every step of the design process.

Nearly every part of the F8 Tributo‘s exterior has been redesigned. Up front, the SF48 Unica features new-look lights, a reshaped bumper with honeycomb-like inserts, and twin vents. Blacked-out a-pillars create the illusion of a wrap-around windshield. Even the door skins are specific to the model, and designers relocated an intercooler to move the engine’s air intakes down. Out back, thin rectangular lights replaced the F8’s quad round units and the rear bumper is new as well. One of the most striking styling cues is the lack of a rear window.

Creating a one-off model requires a tremendous amount of time and resources, especially because many of the changes alter the coupe’s aerodynamic profile. The SF48’s rear overhang is a little longer than the F8’s, and the extra inches increase downforce on the back wheels. Procedural-parametric modeling techniques and 3D prototyping helped the Prancing Horse’s designers make the one-of-a-kind car a reality.

Ferrari notes that the SF48’s cabin looks a lot like the F8’s, though it stopped short of releasing photos. The two cars aren’t exactly identical inside, however: the customer who commissioned the Unica requested black laser-perforated Alcantara upholstery draped over a layer of fabric that matches the body’s color, for example. Matte carbon fiber trim and Grigio Canna di Fucile accents were specified as well.

We’re guessing that no significant mechanical changes were made, meaning that power comes from a 3.9-liter, twin-turbocharged V8 rated at 710 horsepower and 568 pound-feet of torque. Mid-mounted, it spins the rear wheels via a seven-speed automatic transmission.

As is normally the case, Ferrari hasn’t revealed the identity of the SF48 Unica’s owner or how much the car cost to build.

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Original Lamborghini Countach designer wants no association with 2021 remake

The designer of the groundbreaking 1974 Lamborghini Countach, Marcello Gandini, has issued a remarkable statement to the press regarding the recently released Countach LPI 800-4. In it, he repeatedly affirms that he had nothing to do with the revived Countach that Lamborghini revealed at Monterey Car Week on the occasion of the model’s 50th anniversary.

Gandini alleges that Lamborghini may have misled the public into thinking he had something to do with the Sián reskin, and he wants to make it clear that he had nothing to do with it.

“The external public, seeing and reading what has been communicated by Automobili Lamborghini and consequently by the media during recent weeks, may be led into believing that Marcello Gandini was a part of, or was involved with, or the project may have had his blessing. It is therefore appropriate to clarify the facts and reiterate that he did not participate in, nor was he aware of the project in any way.”

Rarely has a designer of Gandini’s stature and repute so publicly refuted a company they’ve worked for. Though Gandini penned cars from the humble Renault 5 to the masterful E12 BMW 5 Series to the incredible Lancia Stratos, it is Lamborghini — where he was responsible for the legendary Miura, Espada, Marzal and Countach, among others — that Gandini is historically most closely associated with. 

Some of the confusion Gandini references stems from a video published by Lamborghini earlier this year. In it, Gandini talks about his design philosophy (which, ironically, includes breaking new ground with every design) and current Lamborghini head of design Mitja Borkert presents Gandini with a scale model of the then-upcoming Countach LPI 800-4. The latter believes that his presence in the video equates to tacit approval of the new design.

“Neither earlier, nor during the interview was it stated that the car was scheduled for limited series production. With the elegance and kindness that have always distinguished Marcello Gandini, when Mitja Borkert presented the scale model during the interview, the former did smile and acknowledge as would be customary to do so.”

Gandini believed that the model was the end of it, but after Lamborghini pulled the wraps off of the LPI 800-4, he says he received “countless requests for clarification” from press and colleagues in the auto design field. He decided to issue the statement to make clear he had nothing to do with the remake. Furthermore, he wants the public to know that he’s against the idea altogether. And though he doesn’t criticize the design itself, he skewers the notion of a remake.

“Thus, Marcello Gandini would like to reaffirm that he had no role in this operation, and as the author and creator of the original design from 1971, would like to clarify that the makeover does not reflect his spirit and his vision. A spirit of innovation and breaking the mould which is in his opinion totally absent in this new design: ‘I have built my identity as a designer, especially when working on supercars for Lamborghini, on a unique concept: each new model I would work on would be an innovation, a breaker, something completely different from the previous one. Courage, the ability to create a break without sticking to the success of the previous car, the confidence in not wanting to give in to habit were the very essence of my work’, explains Marcello Gandini. ‘It is clear that markets and marketing itself has changed a lot since then, but as far as I am concerned, to repeat a model of the past, represents in my opinion the negation of the founding principles of my DNA.'”

For its part, Lamborghini has issued its own response to Gandini, which Top Gear published. The company explains that the Countach LPI 800-4 was the work of designers at their Centro Stile and R&D department.

“The Company has never attributed any role to Marcello Gandini in the realisation of the Countach LPI 800-4. Instead, Automobili Lamborghini have invited Mr Gandini to take part in an interview that took place in June 2021. This was a conversation with the designer and Head of Centro Stile Lamborghini about the comparison between the old model and the new one.”

It’s understandable that Gandini wants to protect his legacy and name, but it also seems obvious that Lamborghini never meant to mislead the public about his involvement. However, it must be said that all 112 units have already been sold out, so someone out there does appreciate them.

All in all, it’s a regrettable misunderstanding that has marred what should otherwise be a golden anniversary celebration of one of the most famous and beloved cars of all time. Perhaps we should just ignore it and revel in the Countach LP500 concept rebirth instead.

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Tour the Venom F5 with Hennessey’s design director

We’ve watched the Hennessey Performance Venom story for 14 years now. When the Lotus Elise-based Venom GT ran an unofficial 270.49 miles an hour at the Kennedy Space Center and that wasn’t enough to convince the Guinness Book of World Records, Hennessey decided to start over on a speedster built on an in-house platform. That turned into the Venom F5, the F5 designation taken from the Fujita Scale used U.S. from 1971 to 2007 to measure the strength of tornadoes. The strongest twisters were designated F5, with winds estimated at anywhere between 261 and 318 miles per hour. The one-word descriptive the National Oceanic and Atmospheric Administration used for such phenomena applies equally to the weather and the car: Incredible.

Hennessey design director Nathan Malinick takes us on a tour of everything the Texas car builder has done with the F5 in an attempt to reach the speed of the fastest tornado winds. Without giving everything away, there are fine engineering details like the badge at the front of the car, a slice a aluminum just eight microns thick. There are aesthetic details like headlights designed to mimic the shape of an F. There are combined engineering and aesthetic flourishes like the rear spoiler, its sinuous bends a pleasure to behold at the same time as it channels air into the turbos and over the rear of the car. And there are engineering firsts like the rear bumper, which Malinick says is the largest single piece of molded and milled carbon fiber in the car industry.

There are plenty more whats and whys in the video, so check it out. All 24 examples of the Venom F5 planned for production have been sold, so this could be the closest you ever get to it.

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Virtually attend ‘The Quail, A Motorsports Gathering’ via our high-res photo gallery

While the description of the yearly “Motorsports Gathering” at the Quail may sound a bit odd to many of our readers at first blush — it’s basically a huge garden party for wealthy automotive enthusiasts to get a look at vintage and newly available vehicles targeted at their healthy checking accounts — there’s no arguing that the vehicles on display are worthy of attention. And since most of us either weren’t invited or couldn’t afford to attend (or both), the next best thing to being there is scrolling through our high-res gallery of live photos taken at the event.

Visitors to this year’s event were treated to the usual grade of high-end machinery that we’ve come to expect, which is to say the best, most desirable and most expensive in the world. Our gallery is filled with vintage racers from Ford, Ferrari and Jaguar, classic Trans Am competitors and even a gaggle of Volkswagen-based dune buggies. More modern machinery was also on display from Lotus, Pagani, Koenigsegg, Pininfarina and Acura.

Electric vehicles are becoming more commonplace at high-end events, and this year’s gathering at The Quail was no exception. In addition to a strong showing from Rimac and Lotus we mentioned earlier, Lucid was in attendance as was Gateway Bronco (see here for more on that). We also got shots of things you may never have heard of like the Delage D12 and Radford Type 62-2. Oh, and the return of the Lamborghini Countach, too.

For those who keep track of such things, this year’s Best of Show winner was a 1938 Mercedes-Benz 540K Special Roadster. You’ll see all that and more in our high-res gallery above. Enjoy!

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McCall Motorworks Revival Photos | Monterey kicks off with fancy airport party

Yesterday, the McCall’s Motorworks Revival happened, for the 30th time no less, kicking off Monterey Car Week. Which is another way of saying it happened before most people showed up. 

So what is it? Fancy cars parked among fancy planes while fancy people walk about with fancy food and cocktails. This differs from other Monterey events, such as the Pebble Beach Concours d’Elegance and The Quail, A Motorsports Gathering, in that it takes place at an airport rather than a golf course. It’s also more of an evening affair than a garden party, complete with a DJ, a band and dancing. Oh, and the cars are less impressive. That, admittedly, says more about the prime metal displayed elsewhere, especially at Pebble. There’s still a lot to ogle, even if you didn’t get to enjoy the fancy food and cocktails. We dispatched ace photographer Drew Phillips to take it all in and to put down an offer for us on that Citation Longitude. 

Amongst the new cars on display, most brought there by their manufacturers, we see a Corvette Stingray, Lucid Air, Aston Martin DBX, Land Rover Defender, Polestar 1, Hennessey Venom F5, Ruf 911s, and a big showing by Ford with a GT500, a Mustang Mach-E, a Bronco and multiple GTs. Two were done up to match an original parked alongside it, while the Bronco flanked an original prototype from 1966. Neat. Hopefully no one spilled Perrier Jouet on it. 

Classics? There were aplenty, but frankly, we’re most fond of the two VW buses: one towing the No. 22 1957 Denzel 1300SS Roadster in front of that Citation Longitude and another from Meyers Manx supporting an adorable flying boat with “Smiles for Miles” written on the side. Now that’s the kind of private plane I could get behind.  

Bugatti’s final Divo is a tribute to its last official Le Mans entry

Bugatti’s last official Le Mans entry served as a source of inspiration for its final Divo. The last unit in a sold-out 40-car run left the French firm’s headquarters wearing a blue livery that echoes the track-bound variant of the EB110.

Unveiled at the 2018 edition of the Pebble Beach Concours d’Elegance, and priced at around €5 million (nearly $6 million) before customization options, the Divo stands proud as the first coachbuilt Bugatti released during the 21st century. It’s much more than merely a rebodied Chiron; it’s its own thing, and the two cars are technically different.

“As well as unique design, customers who buy a coachbuilt model enjoy a new, individual driving experience. Each small series undergoes the same degree of development as would a larger production run,” explained Pierre Rommelanger, the head of overall vehicle development at Bugatti, in a statement.

The final Divo’s anonymous owner wanted to channel the spirit of the EB110 that competed in the 24 Hours of Le Mans in 1994. Most of the exterior is painted in light blue, just like the race car, and the wheels are finished in gold. Parts of the lower body wear a darker shade of blue chosen to forge a link to the modern era, according to Bugatti.

Blue also dominates the interior. French Racing Blue and Deep Blue were used to wrap parts like the seats and the dashboard, though it’s interesting to note that the design isn’t symmetrical. The driver’s seat is lighter than the passenger’s seat. Elsewhere in the cabin, matte gray carbon-colored trim pieces provide a touch of contrast.

Spotting the final Divo won’t require a well-trained eye. Bugatti notes none of the 40 examples built were identical. Customers worked directly with the brand to customize the paint, the leather upholstery, the stitching, and the trim. What doesn’t vary from car to car is the engine: it’s an 8.0-liter W16 quad-turbocharged to 1,500 horsepower.

Selling cars is relatively easy; building them and delivering them on-time is harder. Bugatti ticked all three boxes, and the Divo project is finished. The one-of-a-kind La Voiture Noire (which reportedly cost $13 million) has been completed as well, so the French company is now working on bringing the EB110-inspired Centodieci to production.

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Aston Martin makes the DB11 and its configurator more powerful

Aston Martin sold 4,150 cars last year, but the luxury automaker said its configurator served up more than two million specification sessions. Going with the overwhelming numbers, for 2022 Aston Martin has focused on “the customer journey” for imminent and aspirational buyers by rolling out a new and highly featured configurator. At last, the firm greets potential customers and the merely curious with the kind of luxury one expects of the brand. This is especially important for a company working through its Project Horizon turnaround, and also because, as the official Safety Car and Medical Car sponsor of Formula 1, traffic to Aston Martin’s web site spikes every time its Vantage and DBX are called out on track during races.  

The configurator’s been built using Epic Game’s Unreal engine, a digital creation tool building portals for everything from real estate to fashion, supplemented by Nvidia GTX graphics. In the present Phase One, visitors can place their chosen model in studio or outdoor environments, with daytime or nighttime lighting, and get high-res, zoomed-in beauty shots of their their vehicle details. Yet while Aston Martin poured new features into the configurator, it has reorganized and simplified the site’s use. For instance, individual elements such as exterior paint are broken into six color groupings like Blacks & Greys and Bronzes & Oranges, providing users a glimpse at the range of hues on offer without overwhelming them into analysis paralysis.

The surfeit of choice carries on inside, naturally — there are eleven carpet colors on offer and 12 shades of headliner. The simplifying rationalization carries on in the cabin, too, with three themes available to establish a quick baseline for personalization. The starter theme is called Create, showcasing ornate stitching on the seat bolsters, perforated, patterned seatbacks, door cards, and arm rest. Next up is Accelerate, which “will appeal to customers who wish for a more focused interior.” This one puts Alcantara all over, notably on the entire seat faces and bolsters, with leather trimming the seat sides and headrests. Create and Accelerate can be had in ten colors in monotone and duotone arrangements. Inspire, the topmost theme and “the epitome of luxury,” can be had in 38 colors and in monotone, duotone, and light duotone. This one comes with “the very best of material and color choices,” even more ornate stitching and broguing, trim inlays, and — get this — seatback veneers for anyone diminutive enough to curl into the back seat of one of the coupes to enjoy them. 

As to the objects of configuration, Aston Martin has made a few tweaks to next year’s lineup. The DBX, which has provided half of the company’s sales so far this year, adds wireless charging and a new 23-inch wheel. The coupe formerly known as the DBS Superleggera becomes just DBS, and the V12 DB11 AMR sheds its AMR suffix, but nothing else. The 4.0-liter twin-turbo V8 in the DB11 gets a 24-horsepower boost to 527 hp, and a higher 192-mph top speed. Drivers intending to use all of that puissance should option the new Sport Plus Seats which provide more shoulder, torso, and leg support. Finally, the DBS and DB11 can be had with new 21-inch wheel designs. 

The configurator is live now and has reported for service. Enjoy.

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Here’s the first Pininfarina Battista customer car

Pininfarina continues its slow drip of news about the electric Battista hypercar today with details about the personalization program and photos of the first Battista commissioned.

Above, you can see the Battista in question. Pininfarina didn’t reveal who the client was, but did say that the car’s appearance is “inspired by New York City.” The dominating exterior element is carbon fiber done in Iconica Blu thread. The carbon fiber is black, of course, but Pininfarina uses the Iconica Blu thread in it to make the car appear blue. It’s a rather dark shade of blue, but you can easily see the black carbon fiber weave underneath the paint, providing an extra pop. It drifts heavily into the ‘Murica theme with the red “Exterior Jewellery Pack” adorning the windows and side sills. Plus it also has hand-painted white stripes, adding some sparkle to the exterior. Pininfarina says the white paint for those stripes is named Bianco Sestiere Metallic.

The wheels are done in Dark Matt Grey and have a black center-lock ring to match the roof, rear diffuser and wing. Its final touch is a light-up Pininfarina logo in front made of brushed and polished anodized aluminum. Just like the owner of this Battista, anybody who orders one will get to personalize it from nose to tail. Pininfarina says its customization program allows for a total of 128 million combinations, so there shouldn’t be any Battistas that are exactly alike. You’ll choose from numerous paint finishes, carbon fiber bodywork, different exterior trims and so on.

Pininfarina didn’t show photos of this car’s interior, but it says the car will have black leather upholstery with Iconica Blu Alcantara inserts to match the exterior’s blue-and-black combo. Iconica Blu stitching is matched with more red and white stitching. Plus, it gets white seatbelts and the same Iconica Blu thread on the back of the carbon fiber seats. 

There are very few stones left unturned — even the chassis plate engravings can be customized to whatever you’d like. Only 150 Battistas will ever be built, says Pininfarina, and every single one of them will have the owner go through a customization process that puts them at the actual location of production — the Cambiano facility — to make all of their build decisions.

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Aston Martin Valhalla is ready to Ragnarok with 937 plug-in horsepower

The Aston Martin Valhalla is here. The company’s first series-production, mid-engine monster packs 937 plug-in hybrid horsepower in a lightweight carbon fiber chassis. This 217-mph hypercar is expected to run a 6:30 lap around the Nürburgring Nordschleife.

Originally, the hopeful Ferrari killer was referred to as Project 003. It was later renamed Valhalla and was on track to make its debut with an in-house, 3.0-liter turbocharged V6 – the first engine Aston developed in-house since a 5.3-liter V8 entered production in 1969. After Daimler increased its stake in the British luxury builder in 2020, those plans went out the window. 

Rather than an in-house V6, the Valhalla will now be powered by a customized AMG Black series V8 plug-in hybrid powertrain. The twin-turbocharged, 4.0-liter flat-plane-öcrank V8 makes a respectable 740 horsepower all on its own. Two electric motors combine for an additional 201. That should add up to 941, not 937; we’re assuming a few stray horses drowned crossing the Great Sea of Unit Conversion. 

The engine and motors are paired to a unique eight-speed dual-clutch automatic gearbox that has no physical reverse gear. Instead, the electric motors are run the opposite direction to simulate a backward gear, saving both weight and complexity in the gearbox. This is mated to an advanced torque vectoring all-wheel drive system can send 100% of available electric power to either the front or rear axles.

Aston Martin says it will do 0-60 in just 2.5 seconds on the way to a 217 mph top speed. Around town, it can also cruise in electric-only mode for up to 9 miles up to a speed of 80 mph, but we suspect you’ll deplete the battery much more quickly than that if you floor it up to its top EV speed. 

“Preserving the essence of an exceptional concept car is vital when meeting the challenge of bringing it into production,” said CEO Tobias Moers. “With Valhalla not only have we stayed true to our commitment to build a world-beating supercar, but we have exceeded our original aims. The result is a pure driving machine — one which exists right at the cutting edge of performance and technology yet allows the driver to feel the emotion and thrill of complete connection and control.”

Its carbon fiber body construction makes it ultra-light (just 3,417 pounds, which is nothing for a PHEV) and super rigid. Its adaptive spring and damper suspension was developed with Multimatic, and like most modern supercars it offers adjustable ride height and a front-axle lift system for clearing troublesome obstacles. The aero was inspired by (and in some ways borrowed from) F1 and produces 600 kg (1,322 pounds) of downforce at 150 mph. 

While this may be a series-production model, don’t expect to see too many of them around town. In fact, we wouldn’t be surprised if they’re all already spoken for. Stay tuned for more details as Aston Martin ramps toward production and reveals more details about the Valhalla’s driving experience. 

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